Fluid Mastering is a revolutionary concept in studio recording. Its aim and objectives are to record high quality audio that can be duplicated in the studio using a standalone audio interface. The beauty of this system is that it can be used by any professional studio regardless of the level of experience the user may have in the studio mixing. This is because a new user can start their mastering process with just one microphone as opposed to needing two microphones. This also means there is no pre-amp or sound-on-hold which cuts down on customer service time spent on hold for questions about setup, installation, maintenance etc.
Fluid Mastering was created by Tim Debney & Nick Watson of London’s famous Townhouse Studios late 2021. Over 55 years industry experience between them, they have more than 55 years experience in the recording industry, mastering audio from all styles from classical Rock, Jazz, and folk through to contemporary electronic music, R&B and pop. Fluid Mastering provides its users with a high-quality mixing and recording interface designed specifically with vocalist, guitarists, engineers and other musicians in mind. Its high-end monitoring system allows the user to monitor vocal levels and volumes as well as the overall mix and master the signal for maximum performance from any venue navigate to these guys.
Many professional recording studios employ a mastering engineer to ensure they capture the best possible sound for their clients. The majority of these engineers have a vast knowledge of signal processing as well as mastering technologies and have produced numerous mixes and demos over many years. Some have achieved legendary status in their genre of music, and others have achieved a wide recognised reputation in radio, television, film and live events. Fluid Mastering has taken on a new role as a marketing tool for these professionals. It has allowed those with an understanding of these processes to share their knowledge online, allowing aspiring and existing professionals to obtain the necessary skills and experience in the shortest space of time. This knowledge is then passed on to the professional mastering engineers who have put in the time to learn and hone their skills.
With an ever-expanding list of projects and players out there, it is no surprise that most professional studios would prefer to hire a fluid mastering engineer to ensure that they get the best results every single time they produce a track. Some of the most renowned studios in the world have a fluid mastering engineer on board, allowing them to achieve the best results every single time they put together a track. This also means they have the luxury of hiring other technicians out to work alongside them, ensuring that every aspect of the entire music creation process is covered – from the reverb to the bridge pickup. Each of these technicians is trained in a specific aspect of audio technology, allowing them to work seamlessly alongside their engineer to produce the absolute best results every single time.
Apart from the ever-growing list of talented artists that have utilized this service, you can also expect most of the studios listed above to offer some form of reconditioning service. As well as offering their customers the ability to re-master their audio CDs and other vinyl materials using state-of-the-art equipment, some studios will also offer additional services such as mastering tapes, DVD mastering and the likes. If you are looking for a reputable company to take your music to the next level, check how they offer these extra services. If they do not, it is definitely a sign that they are a firm favourite among other recording specialists Learn More.
Most of the fluid mastering engineers out there work in conjunction with a second system, the most common of which is a computer-based mastering studio. In a nutshell, this system works by allowing the engineer to control the operation of every aspect of the mastering process, including the level of compression used, the level of echo or other unwanted noise reduction, as well as the overall level of clarity and performance of the track. It should be noted that there are a number of mastering facilities out there, but very few of them incorporate a second system into their service. This second system should not only be able to provide higher levels of performance than a first system could achieve, but it should also be able to do so at a fraction of the cost.